Works by Martin, W. M. (exact spelling)

5 found
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  1.  42
    Husserl and Heidegger on Human Experience.W. M. Martin - 2001 - Mind 110 (438):491-495.
  2.  46
    Løgstrup's Unfulfillable Demand.W. M. Martin - 2017 - In R. Stern & Hans Fink (eds.), What Is Ethically Demanded? K. E. Løgstrup’s Philosophy of Moral Life. Notre Dame, Indiana: University of Notre Dame Press. pp. 325-347.
    In his pioneering work of moral phenomenology, K. E. Løgstrup offered a phenomenological articulation of a central moment of ethical life: the experience in which “one finds oneself with the life of another more-or-less in one’s hands”. In such circumstances we encounter what Løgstrup calls simply the ethical demand. Løgstrup’s preferred formulation of the content of that demand is taken from the Bible: Love thy neighbor. This neighborly love is expressed in the form of spontaneous, selfless care for the other. (...)
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  3.  76
    Stoic Transcendentalism and the Doctrine of Oikeiosis.W. M. Martin - 2015 - In .
    It is customary to identify transcendental philosophy as the distinctive and original invention of Immanuel Kant. Certainly this was a view that Kant himself did much to encourage. But this chapter argues that traces of the transcendental strategy can be found already among the ancients. One such ancient precedent is associated with the Stoic doctrine of oikeiosis. It is argued that oikeiosis is best understood as a form of normative orientation associated with 'being at home ' in one's body and (...)
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  4. Paul Franks on Idealism and Objectivity: Understanding Fichte's Jena Project.W. M. Martin - 2000 - European Journal of Philosophy 8 (2):213-217.
     
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  5.  19
    Violent States and Existential-Therapeutic Work in Mexican Ex-Voto Painting.W. M. Martin - 2018 - In J. Adlam, T. Kluttig & B. Lee (eds.), Violent States and Creative States: From the Global to the Individual.
    This paper undertakes an analysis of the distinctive forms of self-consciousness, self-representation and existential-therapeutic work characteristic of the ex-voto paintings in Mexican folk art, and examines the appropriation thereof in Kahlo's Self-Portrait with Cropped Hair.
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